Julio  6, 2021

Episodio 42: Noticias - Italiano vende arte invisible

Te contamos al estilo de Entre Gatos todo lo relacionado con la venta que realizó un italiano de su arte invisible.
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Episode cover: Noticias - Italiano vende arte invisible

00:00:30 - Welcome to the modern cats.

00:00:32 - We have...

00:00:34 - We have...

00:00:36 - We have...

00:00:38 - We have Kandina.

00:00:40 - That's right.

00:00:41 - Let's welcome her to Barbie.

00:00:43 - Barbie.

00:00:44 - She's the curator of the modern art museum in Mexico.

00:00:49 - She's going to give us her point of view.

00:00:51 - She has experience in the Louvre museum.

00:00:53 - She has experience in the Maya museum.

00:00:55 - That's right.

00:00:56 - She has experience in the...

00:00:58 - It's the museum of the city of El Pato.

00:01:00 - The experience of taking my beer.

00:01:03 - That's right.

00:01:04 - Very good.

00:01:04 - So today we brought you some news.

00:01:06 - Before anything, please subscribe.

00:01:08 - Give it a like.

00:01:10 - Share the money.

00:01:11 - Send us the money.

00:01:12 - If you send us the money, we'll send you a flag.

00:01:15 - Okay.

00:01:16 - Well, let's go with it.

00:01:17 - Also, friends.

00:01:17 - Especially send us a cross call.

00:01:19 - The phones of your first hand.

00:01:21 - Why?

00:01:22 - No, send us the money so that later you have...

00:01:24 - All the money.

00:01:26 - Okay.

00:01:27 - Well, what happened?

00:01:30 - Tell us.

00:01:31 - Well, things that happen again in Europe, right?

00:01:35 - In the white ones.

00:01:36 - In these...

00:01:38 - These pairs of white people who say...

00:01:42 - If the shit had a ball, I would buy it.

00:01:46 - They have learned that the pig's poop is also...

00:01:49 - I would be a million people, gentlemen.

00:01:52 - I would be a million people.

00:01:54 - No.

00:01:55 - Yes.

00:01:58 - OK.

00:01:59 - You have to take off the camera.

00:02:00 - Yeah.

00:02:01 - I think people will know that you're going to shit in all of this.

00:02:04 - Like all of us.

00:02:05 - No.

00:02:06 - It's not true.

00:02:07 - People don't shit.

00:02:08 - Yes.

00:02:08 - But they breathe through the roof.

00:02:10 - They breathe through the roof.

00:02:11 - No.

00:02:11 - No, because it's something that...

00:02:12 - OK.

00:02:13 - Well, the article is for the female.

00:02:15 - OK.

00:02:16 - The female.

00:02:16 - The female.

00:02:17 - OK.

00:02:18 - Thank you.

00:02:18 - Thank you.

00:02:19 - Hello.

00:02:20 - I'm Payul, but...

00:02:21 - I'm a woman.

00:02:22 - Well, I think it was cool that it was better, so now it's easy.

00:02:24 - Ok, at least he spoke.

00:02:26 - Now we are going to give all the participants the first one.

00:02:30 - Perfect.

00:02:32 - Ok, let's get started.

00:02:34 - I've been a curator at the Art Museum of Modern Art in Mexico, and others.

00:02:38 - Obviously.

00:02:40 - And next, this happens, right?

00:02:42 - I've been to the Art Museum of Modern Art in Mexico and other places.

00:02:47 - Obviously.

00:02:48 - And in Texas, this happens, right?

00:02:50 - They made a auction in some white country.

00:02:54 - In Italy.

00:02:57 - A dog presents its sculpture to its owner.

00:03:01 - But you don't know if it's a sculpture, do you?

00:03:03 - Yes, I do.

00:03:04 - It came with a sculpture.

00:03:05 - It came loaded.

00:03:06 - Oh, of course, because there's space here.

00:03:07 - It was carried by three men, mysteriously.

00:03:12 - I don't know why you put the translation, you have to put it in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put the translation in order to do it, I don't know why you put

00:03:42 - The lady who comes to the conferences of Andrés Manuel, the one who speaks without...

00:03:47 - Ah, the one who speaks without...

00:03:48 - Ah, it was the one who presented...

00:03:50 - She was the one who presented Subasta.

00:03:53 - She was saying...

00:03:55 - What did she say?

00:03:56 - The world didn't understand.

00:03:58 - No one understood what was happening.

00:04:00 - She sent a call to the artist and they told her...

00:04:02 - What did you say, Perica?

00:04:03 - She sent her work.

00:04:04 - Your work, right?

00:04:05 - I mean, when you go to La Fincha Premaria, you're going to introduce yourself.

00:04:08 - Can I see her?

00:04:09 - Your volcano.

00:04:10 - Explain the joke.

00:04:11 - It's your turn, it's your turn, it's your turn, it's your turn

00:04:13 - It's your turn, it's your turn, it's your turn, it's your turn, it's your turn

00:04:15 - I was like...

00:04:17 - Then he put it in the house and I was like...

00:04:19 - You can still come to me by the side.

00:04:21 - I do it like that.

00:04:23 - I don't like it.

00:04:25 - I wanted to see how it looks.

00:04:27 - It's ready.

00:04:29 - It's not like that.

00:04:31 - But it won't go so wrong.

00:04:35 - I'll save a cloth for you.

00:04:37 - A cloth?

00:04:39 - That's how it works.

00:04:41 - Why a cloth that doesn't exist?

00:04:44 - Yes, it exists.

00:04:46 - But art...

00:04:48 - There you go.

00:04:49 - Is it modern art?

00:04:50 - Yes, it is modern art.

00:04:51 - In this period of postmodern art, the Cabrón de Llegui doesn't present anything.

00:04:58 - No, no.

00:04:59 - It presents a void.

00:05:00 - Yes.

00:05:01 - Does your sculptor consist of a void?

00:05:03 - No, no.

00:05:04 - What is the nothing?

00:05:06 - No.

00:05:07 - The Cabrón says, this is my sculptor.

00:05:09 - And what's his name?

00:05:11 - I'm the son.

00:05:12 - I'm the son.

00:05:13 - I am an Italian

00:05:15 - For those of us who love me, Miguel

00:05:17 - There is someone who says

00:05:19 - I am

00:05:21 - So he says

00:05:23 - I know

00:05:25 - I know

00:05:27 - Bravo

00:05:29 - But he says

00:05:31 - Admit it

00:05:33 - But don't touch it

00:05:35 - I'm sorry

00:05:37 - Are you sure you took the same mimosas?

00:05:39 - Yes

00:05:41 - I read a million dollars.

00:05:43 - Okay.

00:05:44 - Well, it presents a space of a meter and a half by a meter and a half.

00:05:48 - Nothing.

00:05:49 - Nothing.

00:05:50 - Take it.

00:05:51 - And it says...

00:05:52 - This represents the void.

00:05:54 - Yes.

00:05:55 - And it makes philosophical sufferings.

00:05:57 - Because the nothing is not equal to the void.

00:05:59 - The nothing is nothing and the void is something that is not occupied, man.

00:06:02 - It can be filled.

00:06:03 - Of course.

00:06:04 - It was a crazy thing.

00:06:05 - It took a piece of his apartment, but now with what he sold it.

00:06:09 - I'm going to have a salad.

00:06:10 - We're going to have a salad.

00:06:11 - No!

00:06:12 - Did you sell your mom yet?

00:06:14 - I sold her.

00:06:15 - I mean, the lady came and asked the government's criteria.

00:06:18 - Are you making your dreams come true?

00:06:20 - No.

00:06:21 - No, no, no.

00:06:22 - Are you ready?

00:06:23 - No, no, no.

00:06:24 - Just imagine it.

00:06:25 - Do it like this, do it like this.

00:06:26 - Turn it around.

00:06:27 - Do it like this.

00:06:28 - Do it like this.

00:06:29 - Do it like this.

00:06:30 - Do it like this.

00:06:31 - Do it like this.

00:06:32 - Do it like this.

00:06:33 - Do it like this.

00:06:34 - Do it like this.

00:06:35 - Do it like this.

00:06:36 - Like this.

00:06:37 - The meter and a half, and he says, okay.

00:06:41 - And he says, well, the man sold, I am, I am, that's how it is.

00:06:46 - And what's better, is that a Chilean is encouraged and says, I buy it, look, here is my money, friend.

00:06:54 - How not?

00:06:55 - I don't have to bring it.

00:06:56 - If it's because of Chile, it's not going to come out.

00:06:58 - If it's because of Chile, it's not going to come out.

00:06:59 - If it's because of Chile, it's not going to come out.

00:07:00 - Argentina.

00:07:01 - And look, the price, $1,300.

$1,300 dollars.

$18,300, but before you sell it, they tell you that you need a space in your house, a big one, $150 for a place.

00:07:14 - And it comes in a vacuum.

00:07:15 - It comes in a vacuum.

00:07:16 - So that you can clearly see how I sold you Purama.

00:07:19 - No, no, no.

00:07:21 - I was going with your certificate of authenticity.

00:07:23 - Yes man, but that's what he wrote.

00:07:25 - But the certificate is to keep the parts because you can't enter.

00:07:28 - I drew your daughter, bro.

00:07:30 - How do you know the police officer of the Simpsons?

00:07:33 - Oh, that's better than...

00:07:34 - This is better than being invisible, man.

00:07:37 - Well, the point is that this Chilean guy is going to be smarter in the universe.

00:07:42 - Dad, God is looking for him so that he can help him create another world.

00:07:45 - He says, hey, I pay.

00:07:47 - But how, I mean, how did he send you?

00:07:51 - He says, in what way do you want to receive it?

00:07:54 - He sent it, he sent it.

00:07:56 - Send it for transfer.

00:07:58 - Ok

00:07:58 - So that we would have the same ones, we would have the same ones

00:08:01 - The return of the cabins

00:08:03 - The return of the cabins

00:08:04 - All of them

00:08:05 - All of them are traitors

00:08:06 - All of them start asking questions, ladies and gentlemen

00:08:08 - Because first of all, the Chilean kid got $8,300, right?

00:08:12 - First

00:08:12 - Yes

00:08:13 - Second

00:08:14 - That was the most...

00:08:15 - Second

00:08:16 - That was the weirdest

00:08:17 - In which guque is that going to end up?

00:08:20 - There is no guque of 1.5 meters, they say

00:08:23 - They are very big

00:08:24 - It's going to be the day, it's going to end

00:08:26 - We didn't know how high it was.

00:08:28 - It was a Godzilla.

00:08:32 - It was a Godzilla, right?

00:08:34 - The art through the web, that you buy art, and you leave it all behind.

00:08:40 - In a pinch.

00:08:42 - In a memory, right?

00:08:46 - No, but it's art that they sell only on the internet.

00:08:50 - It's pictures and stuff.

00:08:52 - Okay.

00:08:54 - And then you get some tennis shoes and then you put them on like a fizzle, you pay like 250 dollars for a fizzle where you get some Gucci tennis shoes on Instagram

00:09:03 - And you buy them on your own

00:09:05 - We deserve the extention

00:09:07 - The problem here is that the seller has a fantastic company, right?

00:09:11 - So, he didn't even know where they sent the money

00:09:15 - Your movie is about the shadow of the sea

00:09:17 - Yes

00:09:19 - Wait, did you still defend your time?

00:09:21 - Like, that space of about 50, well illuminated, that doesn't occupy the atmosphere?

00:09:27 - Of course.

00:09:28 - It doesn't deteriorate.

00:09:29 - You're going to eat two times a day.

00:09:30 - Normal.

00:09:31 - You're going to eat two times a day.

00:09:32 - Normal.

00:09:33 - You're going to eat two times a day.

00:09:34 - You're going to eat two times a day.

00:09:35 - You're going to eat two times a day.

00:09:36 - You're going to eat two times a day.

00:09:37 - You're going to eat two times a day.

00:09:38 - You're going to eat two times a day.

00:09:39 - You're going to eat two times a day.

00:09:40 - You're going to eat two times a day.

00:09:41 - You're going to eat two times a day.

00:09:42 - You're going to eat two times a day.

00:09:43 - You're going to eat two times a day.

00:09:44 - You're going to eat two times a day.

00:09:45 - I bought my Christ the King

00:09:49 - Look at that

00:09:51 - The question is to look at it

00:09:53 - The question is to look at it

00:09:55 - Damn it

00:09:57 - The question is to look at it

00:09:59 - A modern museum of history known from Mexico

00:10:03 - A modern museum of work

00:10:05 - Yes, yes, yes

00:10:07 - And the museum of the Atropocene in Trascara

00:10:09 - Yes

00:10:11 - From Soumaya

00:10:14 - And then, in Paris, and the football in Morelle, and the museum, and the fama in Bachuca, no?

00:10:20 - I mean, what kind of treatment does a piece have like that?

00:10:23 - What does it have to do with it?

00:10:24 - Do you think it will fall off?

00:10:27 - How are you going to do it?

00:10:28 - If it breaks, how do you hit it?

00:10:31 - Like this.

00:10:32 - If it doesn't fit, how do you do it?

00:10:34 - With psychiatry, right?

00:10:35 - I think it will break that shit.

00:10:37 - How do you break it?

00:10:38 - It would cure that piece of art.

00:10:40 - You managed to get a free card.

00:10:42 - Yes, I did.

00:10:44 - I think I was lucky.

00:10:46 - You send him to the new postcard.

00:10:48 - What kind of content do you give him?

00:10:50 - Do you give him the direct card?

00:10:52 - Yes, nothing more.

00:10:54 - What kind of content do you give him?

00:10:56 - I give him a free card.

00:10:58 - Yes, I can see it.

00:11:00 - You can give him the card.

00:11:02 - You send him to the cell phone, you give him a card, you get a free card,

00:11:08 - And a space of 150 x 150

00:11:11 - So if you ask me what kind of maintenance could you give me for an hour, you?

00:11:18 - Intangible

00:11:20 - How would you get hurt?

00:11:22 - And what would you do to repair it?

00:11:24 - How many ways could it take?

00:11:26 - Your time could last for a few hours

00:11:28 - Eternity

00:11:29 - Eternity?

00:11:31 - How could you get hurt by an hour of thought?

00:11:35 - Is it just crazy?

00:11:36 - I'm not gonna let you think about it anymore.

00:11:39 - Ok, better.

00:11:40 - No.

00:11:41 - No?

00:11:41 - What do you want to say to the asshole who bought it?

00:11:47 - Who would say?

00:11:48 - You have a lot of time.

00:11:48 - You're thinking about it.

00:11:50 - You're thinking about it.

00:11:50 - You're talking about thinking about it.

00:11:52 - You said he did it.

00:11:54 - Ah, yeah, that's crazy.

00:11:56 - If anyone says you're thinking about it, they'll say that you left your thinking box there.

00:12:00 - You have a lot of time.

00:12:01 - Yes, you can wait.

00:12:02 - Ok, please.

00:12:03 - Imagine the house of this idiot, dude.

00:12:08 - What are you going to do?

00:12:09 - What do you have in your house?

00:12:10 - I have furniture.

00:12:11 - Go to sleep on the floor, you idiot.

furniture is a concept.

00:12:14 - The floor is a concept.

00:12:15 - The bed is a concept.

00:12:17 - Everything is a concept.

00:12:17 - It doesn't have furniture.

00:12:18 - It has a doll as a wife.

00:12:21 - Imagined.

00:12:22 - Apart from imagining this doll, you have a psychologist who suffers from it.

00:12:27 - Hey, okay.

00:12:28 - And Leval...

00:12:29 - What's your business?

00:12:31 - Hey, this one is still questioning me.

00:12:33 - But you're the guest of the art and especially...

00:12:35 - Tell us, tell us, what do you think of all that stuff?

00:12:40 - Well, it's a mom, right?

00:12:42 - Very good, very good.

00:12:44 - Great advice.

00:12:45 - Great advice.

00:12:46 - A very good way to define the invisible art.

00:12:51 - This one, what is it called?

00:12:52 - Abelina Vespera.

00:12:53 - Abelina Vespera is well known, right?

00:12:56 - The one of the balloon, the one of the balloon.

00:12:58 - It's a little bit of a joke.

00:13:00 - They made a party, man.

00:13:02 - What are you going to say to them?

00:13:04 - Listen, you're not going to step on me!

00:13:06 - You have enough money to have...

00:13:08 - Friends, you have to keep your back there, standing next to the sculpture.

00:13:12 - Friends, you have to keep your back there,

00:13:14 - I'll keep it in a bubble in Switzerland, and I'll put a replica.

00:13:18 - A replica.

00:13:20 - Of course.

00:13:22 - And the glasses.

00:13:24 - I have to take pictures with her.

00:13:26 - Okay.

00:13:27 - Okay.

00:13:29 - Okay.

00:13:30 - I think we should take pictures with the deacons.

00:13:32 - No, with your...

00:13:33 - What kind of a guy does that?

00:13:35 - Yeah, he does that.

00:13:38 - He does that because he asks for chalazas with gummies.

00:13:40 - Like he has dogs.

00:13:42 - Yeah, dogs.

00:13:43 - He also has a long-haired son.

00:13:45 - But everything is imaginary.

00:13:46 - Everything is imaginary.

00:13:48 - Everything is imaginary.

00:13:49 - He only gets involved with the deacons, but he doesn't get involved.

00:13:51 - He gets involved.

00:13:53 - That's love, only...

00:13:55 - Ah, like Trukki?

00:13:58 - You see that hair of Trukki?

00:14:01 - We're in a fucking mess of art.

00:14:04 - You see the fucking paintings, 300, 200 years ago, and you say...

00:14:09 - The hair of the ballon, which is a piece of shit.

00:14:12 - Now the fucking art, modern art.

00:14:15 - Do you remember a bastard who used a plasma?

00:14:19 - Yes.

00:14:20 - And there was a bastard who said,

00:14:21 - I'll buy you whatever you want and I'll bring it to you.

00:14:24 - What a beautiful thing!

00:14:26 - If they sell it in a platter, why would they sell it?

00:14:28 - Invisible art?

00:14:29 - And tomatoes?

00:14:30 - Oh yeah!

00:14:31 - Oh, there it is!

00:14:33 - I'm going to buy you some art!

00:14:35 - Oh, man!

00:14:36 - What are you going to do with this?

00:14:38 - Because you're going to make a lot of money!

00:14:40 - You're going to make a lot of money!

00:14:42 - There are videos of art exhibitions where people arrive and there's a trick that was forgotten by one of the photographers

00:14:50 - Photo and more photos to the tree thinking that it is part of the exhibition

00:14:56 - What I am going to do is that I say

00:15:00 - Yes, one thing is that the art concept something that I do is my pinch concept and it is something out of the pinch

00:15:06 - But surely this guy has more works, surely

00:15:11 - With what games do you stop and you say that according to this note I had already presented his art invisible before that was another different work

00:15:20 - She gave me one out of one.

00:15:22 - No way, no.

00:15:23 - Yes, mom.

00:15:24 - Now, do you think, baby, that you really want to be like a mother?

00:15:27 - No, well, yes, pendejo...

00:15:29 - Well, he's an artist, he's a fucking charlatan.

00:15:31 - No, that guy is an intelligent bastard.

00:15:34 - The pendejo is the Chilean.

00:15:36 - Of course.

00:15:40 - Cachay, definitely.

00:15:42 - Cachay, Cachay.

00:15:44 - If I could sell that mom, then...

00:15:46 - It's more like, you have to do one.

00:15:48 - And she's going to talk to a new Titan.

00:15:50 - She's going to talk to a new Titan.

00:15:52 - In exhibition.

00:15:54 - I'm going to say it like this.

00:15:56 - Imagine if you're going to say it.

00:15:58 - Imagine.

00:16:00 - What I'm going to say is that for me, that doesn't work.

00:16:02 - For me, that doesn't qualify as art anymore.

00:16:04 - I'm going to put a fucking mirror with a balloon, a fucking banana, a base.

00:16:08 - Another guy who, a girl who put some pinks with a...

00:16:12 - But there are things to use.

00:16:14 - I had to use a cheats.

00:16:17 - No, no, no, no, no, no but I want...

00:16:19 - I stay here even if I really want to.

00:16:21 - No, you are scum, you see that!

00:16:24 - It came out of the cup and drank so much.

00:16:26 - But, uh...

00:16:26 - I still had a little text.

00:16:28 - They did a...

00:16:30 - They left some days there but...

00:16:33 - They left lotes of...

00:16:33 - They did somehow translate it to what the guy was explaining.

00:16:38 - But the thing is...

00:16:40 - You are supposed to be with the others, do they have to explain it?

00:16:42 - Or the art is expressive and...

00:16:44 - Yes.

00:16:44 - From what you are and something...

00:16:46 - No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

00:17:16 - I think that kind of things don't qualify for Martell.

00:17:18 - And it's more like...

00:17:20 - It's more like being a mom.

00:17:22 - I mean, that's very different.

00:17:24 - And I'm going to tell you something that I think is the last thing to do in the world.

00:17:29 - And the thing is that there are a lot of people that are probably stuck in that fart and that are still screaming.

00:17:35 - Well, the people that had that Twitter instead of Facebook, right?

00:17:40 - Well, we're going to talk about

00:17:43 - I really want to learn more about his stories on whatsapp

00:17:49 - States

00:17:52 - It has a name, apart from...

00:17:55 - States of Whatsapp

00:17:58 - These are the people who live in Condesa

00:18:00 - Have you ever seen a work of that in a museum?

00:18:04 - No, no

00:18:06 - Well, I don't

00:18:08 - We didn't see it

00:18:10 - I was like, what's going on?

00:18:12 - They're just downloading it.

00:18:15 - They were imagining it.

00:18:16 - I was shocked with her, but I said,

00:18:18 - Damn it.

00:18:19 - How much do I owe you?

00:18:20 - How much?

00:18:21 - How much do I owe you?

00:18:22 - The thing is, it's a fucking hell of a city.

00:18:24 - But, wait, wait, wait.

00:18:26 - The guy can sell it.

00:18:27 - He can also.

00:18:28 - He owns it.

00:18:29 - I don't think it's going to happen.

00:18:30 - I tell him, I'm coming for you.

00:18:32 - Imagine that they sell it, dude.

00:18:34 - No.

00:18:35 - That's beautiful.

00:18:36 - And now this guy wants to follow you, right?

00:18:37 - No.

00:18:38 - He says no, no, I'm not that empty because my thoughts are there.

00:18:41 - Imagine if someone put his dick when he's going to the empty hands.

00:18:44 - Oh, oh, oh.

00:18:45 - I'm not that empty.

00:18:46 - I'm 18,300.

00:18:48 - Look at him, he brought this fucking thing.

00:18:49 - I understand.

00:18:50 - Well, you like old people.

00:18:52 - I didn't do it.

00:18:53 - Better give me a pack to eat, son of a bitch.

00:18:55 - Get all the money, get all the money, okay?

00:18:58 - Okay, okay.

00:18:59 - Dude, well, that's, that's, I think that, but you'll tell it to mom, but surely things are coming even more beautiful.

that you can load the milk in the cauldron.

00:19:08 - Oh, this is a couple.

00:19:10 - You can't fold it.

00:19:11 - I mean, it's one and a half, one and a half, one and a half.

00:19:13 - You can fold it in four.

00:19:14 - I mean, I'm in your house and I'm talking to your wife and you're like, what are you doing?

00:19:17 - I'm like, what are you doing?

00:19:18 - No, no, no.

00:19:20 - No, no, no.

00:19:21 - It's easy to clean.

00:19:22 - It's easy to clean.

00:19:23 - It's easier to clean.

00:19:24 - Imagine how you do it.

00:19:25 - Who knows?

00:19:26 - Imagine how you do it.

00:19:27 - It's easy to clean.

00:19:28 - Imagine how you do it.

00:19:29 - Imagine how you do it.

00:19:30 - Imagine how you do it.

00:19:31 - Imagine how you do it.

00:19:32 - Imagine how you do it.

00:19:33 - Imagine how you do it.

00:19:34 - I don't know if you're going to steal it.

00:19:35 - The present is...

...factorable.

00:19:39 - The tie is factorable.

00:19:40 - The art, yes.

00:19:41 - The art, yes.

00:19:42 - And it has the certificate of the tie.

00:19:44 - And that...

00:19:45 - No, man, it would have to be something for...

...to avoid that kind of stuff.

00:19:50 - If you put it in that...

...that vacuum...

...that they give you, they give you.

00:19:54 - They give you $18,300.

00:19:56 - But it's not like that.

00:19:57 - But it's an effective one, please.

00:19:58 - No, no, no.

00:19:59 - In art.

00:20:00 - In this art.

00:20:01 - It would have paid the same.

00:20:02 - I mean, it comes with...

00:20:03 - You can get it with a lot of money from a tourist.

00:20:07 - No, don't sell it.

00:20:08 - It's an Italian gift.

00:20:10 - It's also an Italian gift.

00:20:13 - It's not a gift.

00:20:14 - It's a gift for...

00:20:16 - By the way, it has a postcard, right?

00:20:19 - I'll sell it to Chile.

00:20:21 - It's a gift from Ronaldo.

00:20:22 - It's something like this.

00:20:24 - Is it something like this?

00:20:26 - Yes.

00:20:27 - And I'll sell it.

00:20:28 - You'd sell it.

00:20:29 - You'd sell it.

00:20:30 - No, because it doesn't fit in the salt.

00:20:32 - No, because it didn't fit in the living room.

00:20:35 - Oh, sorry.

00:20:36 - It didn't fit in the living room.

00:20:37 - No, it didn't fit in the living room.

00:20:38 - No, it didn't fit in the living room.

00:20:39 - No, it didn't fit in the living room.

00:20:40 - No, it didn't fit in the living room.

00:20:41 - No, it didn't fit in the living room.

00:20:42 - No, it didn't fit in the living room.

00:20:43 - No, it didn't fit in the living room.

00:20:44 - No, it didn't fit in the living room.

00:20:45 - No, it didn't fit in the living room.

00:20:46 - No, it didn't fit in the living room.

00:20:47 - No, it didn't fit in the living room.

00:20:48 - No, it didn't fit in the living room.

00:20:49 - No, it didn't fit in the living room.

00:20:50 - No, it didn't fit in the living room.

00:20:51 - I have a picture of a white person.

00:20:54 - I have a picture of a white person.

00:20:56 - I have a picture of a white person.

00:20:59 - How do you publish that on Facebook?

00:21:01 - Look at the pictures.

00:21:04 - In the background.

00:21:06 - No, white space is illuminated.

00:21:09 - The last one is in the six.

00:21:11 - But the eyes are closed.

00:21:13 - But hey, with the elastic, people are dying from covid.

00:21:19 - COVID so that they can touch those two pendejos.

00:21:21 - No, no.

00:21:22 - We're not going.

00:21:23 - Well, we're not going.

00:21:25 - That he dies and we steal his art.

00:21:29 - And we sell it.

00:21:31 - I have a very good friend.

00:21:33 - I have a very good friend.

00:21:35 - His art and my art.

00:21:37 - And my art and art.

00:21:39 - My art and art, right?

00:21:41 - My art and art.

00:21:43 - I'm going with my art.

00:21:45 - So what do you do?

00:21:47 - And if you don't want to talk to me, you can stop talking to me.

00:21:51 - I need to talk to you about something.

00:21:53 - Ah, a topic.

00:21:54 - Ah, she chose the next topic.

00:21:56 - We'll see you later.

00:21:57 - Come on!

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